With a filmography boasting such modern classics as Grand Budapest Hotel and The Royal Tenenbaums, Wes Anderson’s cinematic universe is so instantly recognisable that he recently became the subject of a viral sensation, with users across TikTok creating videos of their daily lives in the style of his films, complete with rapid pans, symmetrical shots and that vivid colour palette.
By the time Isle of Dogs and The French Dispatch were released it was all starting to look a little tired: A-listers making mini-cameos – check; W. Heath Robinson-esque inventions – check; quirky characters – check…. But with Asteroid City, Anderson has rekindled his old magic, offering something new without renouncing any of his distinguishing features. This film has a different energy and – despite retaining the usual charming whimsy we are so accustomed to – feels more solid and tangible.
