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Louder
Louder
Entertainment
Chris Roberts

Assault accusations, tax evasion charges: All this sits uncomfortably with our view of Sigur Rós as magic moon-faced elves. You can understand why they'd want to escape from reality

Sigur Ros album Atta

Górecki’s Symphony No.3 (better known as Symphony Of Sorrowful Songs), as played by the London Sinfonietta in 1991, was the best-selling contemporary classical record across the 90s. In 1994, Sigur Rós formed in Reykjavík, first signing with the Sugarcubes-owned label Bad Taste. Now that Sigur Rós have become a signifier of high-class good taste, their eighth album – Átta is Icelandic for eight – indisputably shares its mood and DNA with Górecki’s fusion of the avant-garde and the tear-jerking. 

It’d be daft to say it was on the same level, but structurally it whispers and murmurs, keeping its powder dry until, with a cathartic release, it lets out its tension like a storm breaking after much quietly stressful humidity. Which is, frankly, just as well, because for almost an hour it quivers along a thin line between boring and beautiful.

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