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The Guardian - AU
The Guardian - AU
Lifestyle
Dee Jefferson

Asia Pacific Triennial 11: an enormous explosion of colour and reassuring optimism

Installation of Haus Yuriyal’s artwork including (front to back) Bopa, 2024, Kalabus, 2024, Kamkau Ike (Haus Toktok) 2024 with Yuriyal Bridgeman’s Yuri Alai Eagles (ceiling shield paintings) 2024 and Kuman (shield) paintings 2024 ‘The 11th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery / Photograph: C Callistemon © QAGOMA
Papua New Guinea collective Haus Yuriyal’s artworks including (front to back) Bopa, Kalabus, Kamkau Ike (Haus Toktok) with Yuriyal Bridgeman’s Yuri Alai Eagles (ceiling shield paintings) and Kuman (shield) paintings. Photograph: Chloë Callistemon/Qagoma

A lot has happened since the last Asia Pacific Triennial in 2021, which opened, quietly, during Covid border lockdowns in Queensland. Besides a global pandemic, Trump won a second term, two major wars have erupted, and climate change has marched grimly onwards, with countless extreme weather events and temperature records broken.

Perhaps it’s no surprise, then, that the billboard announcing the 11th Asia Pacific Triennial is emblazoned with the optimistic slogan: “Art that lifts you up”. Does it, though? Should it?

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