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The Guardian - UK
The Guardian - UK
Entertainment
Ben Beaumont-Thomas

Asake: Lungu Boy review – Nigerian superstar trips across the Black diaspora, with help from Stormzy

Asake.
Celebration … Asake. Photograph: Walter Banks

With his 2023 release Work of Art, Nigerian vocalist Asake set a high-water mark for albums in the impressive recent wave of west African pop, his serenely lilting top lines underpinned with the deep and dynamic Afro-house style of amapiano. While his follow-up isn’t as consistently strong, it’s more versatile, going on a trip across the Black diaspora that he has enchanted to arena-filling success.

He sometimes uses his considerable charisma to paper over songwriting cracks: there really isn’t much of a melody to Skating or the pulsating synthwave of Uhh Yeahh, atmospheric though they are. But the album is otherwise tuneful and rich with compositional detail: improvised flute, saxophone and muted trumpet frequently float across the backdrops, gorgeously human against the drum programming and penetrating amapiano bass stabs.

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