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The Conversation
The Conversation
Glenn Fosbraey, Associate Dean of Humanities and Social Sciences, University of Winchester

As Marmite Morrissey returns, let’s talk about the actual music

When news broke of a new Morrissey single and album last week (both titled Make-Up is a Lie), one thing was assured: it was going to get people talking.

Perhaps the most “Marmite” artist of all time, it’s hard to find an artist who divides opinion as much as Morrissey. To some, he is so beloved that going to one of his concerts is a religious experience. To others, he is so detestable there are social media groups with names like “the Morrissey Hate Club”, with detractors dismayed by how his recent political positions on immigration and nationalism are so at odds with the socialist values his early work appeared to advocate.

Morrissey has consistently argued that his views are focused on British identity and freedom of speech, not racism, and has denied that his contemporary nationalist stance conflicts with the anti-establishment and socialist values of his early work with The Smiths. In a 2018 blog post, he wrote: “I despise racism. I despise fascism.”

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