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The Guardian - US
The Guardian - US
Entertainment
Lauren Mechling

Are You There God? It’s Me, Margaret review – Judy Blume adaptation is a winner

Rachel McAdams and Abby Ryder Fortson in Are You There God? It’s Me, Margaret.
Rachel McAdams and Abby Ryder Fortson in Are You There God? It’s Me, Margaret. Photograph: Dana Hawley/AP

For all our snap-bracelet readiness to embrace girl power and its concomitant hashtags (#yougotthis!), depictions of preadolescents that are worthy of their subjects are thin on the ground. Perhaps because most tweens will just “watch up” anyway, big entertainment has slouched into a comfortable stance of pumping out cutesy kids’ content and edgy fare about high school, without bothering to give much thought to the beautifully messy middle ground.

Are You There God? It’s Me, Margaret, writer-director Kelly Fremon Craig’s entry to the woefully underserved category of period dramas (make of that what you will), is destined to become a classic. Based on – but not entirely wedded to – Judy Blume’s seminal 1970 novel of the same name, the film is an entertaining comedy that also happens to be a stunning evocation of the fear and yearning that come with standing on the precipice of adulthood.

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