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The Guardian - UK
The Guardian - UK
Entertainment
Kate Wyver

Antony and Cleopatra review – bilingual BSL staging adds intimacy and clarity

All eyes on her … Nadia Nadarajah (front) as Cleopatra.
All eyes on her … Nadia Nadarajah (front) as Cleopatra. Photograph: Ellie Kurttz

With wide eyes and mouth grimly set, the soothsayer offers his prediction: “You shall outlive the lady whom you serve,” he says, much to the horror of Charmian, Cleopatra’s lady-in-waiting. Speaking in British Sign Language (BSL), our soothsayer (William Grint) creates a serpentine image, his arm sharp and jutting, his fingers forked by Charmian’s throat.

The Egyptian queen’s court communicates in BSL in Blanche McIntyre’s bilingual production – with associate direction from Charlotte Arrowsmith and BSL consultancy from Daryl Jackson – while the Romans perform in spoken English. Subtitles appear on screens around the wooden O. Far from being distracting, they offer a strong case for such visual aids becoming a permanent fixture in the theatre.

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