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The Independent UK
The Independent UK
Lifestyle
Holly Williams

Anna Karenina review: Tolstoy’s heroine is brought to magnetic, maddening life by Adelle Leonce

Marc Brenner

“This is my story”, says Anna Karenina near the start of this stage version of Tolstoy’s epic novel. She is swept away in a passionate love affair, only to realise she’s trapped in the prison of motherhood, marriage, and society’s strict expectations for how a respectable woman should behave. But in fact, this is two people’s story: the relationship at the heart of Helen Edmundson’s stage adaptation (first performed in 1992) isn’t between Anna and her love, Count Vronsky – it is between Anna and Levin, a parallel character whom she doesn’t meet till near the novel’s end.

Here, they circle each other from the start on designer Georgia Lowe’s fabulous Prussian-blue circular set, explaining their lives, their motivations. A neat theatrical contention is established: Anna or Levin ask “Where are you now?”, forming an invitation for the other to effortlessly transport us to a ball in Moscow or a country estate.

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