Anna Funder is mere days into her new role at the University of Sydney when we meet there on an overcast Friday afternoon; she waves vaguely in the direction of her new office and says she hasn’t yet unpacked. So, with her encouragement, I gamely agree to play tour guide around my alma mater and continue to until, about halfway through the interview, she starts telling me about the architecture – at which point it becomes clear how her easy and self-effacing manner can function as a smokescreen for the sharpness of her mind.
As we set off past the beds of majestic fig trees and the manicured lawns surrounding the university’s sandstone quadrangle, passing backpacked students and fresh graduates posing for photos, I ask the newly installed professor of practice in creative writing what her own experience of studying creative writing was like. She looks stricken: “We’re starting with a confession.
