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The Guardian - UK
The Guardian - UK
Entertainment
Mark Fisher

Anna/Anastasia review – the seductive delusions of an imaginary duchess

Chris Forbes and Kirsty McDuff in Anna/Anastasia.
A nuanced take on mental illness … Chris Forbes and Kirsty McDuff in Anna/Anastasia. Photograph: Tommy Ga-Ken Wan

Anastasia is attempting to look regal in her mother’s tiara and her father’s military medals. Beneath her tunic, however, she wears no trousers. The look reflects her state of mind: in her head, she is the only remaining member of the imperial Romanov family, a survivor of a Bolshevik firing squad, but her story is as flimsy as her legs are bare.

In this entertaining lunchtime play by Jonny Donahoe – he of Jonny and the Baptists fame – Anastasia keeps finding herself in the same Berlin police station explaining how she has ended up at the bottom of a canal again.

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