George Orwell’s Animal Farm is not a sacred text. There’s no rule that says it can’t be changed in adaptation, especially if, say, you wanted to add some historical perspective from the world that came to exist after the book was published in 1945. But this unforgivably sugary animation from screenwriter Nicholas Stoller and director Andy Serkis, as well as having a pretty cheapo digital look, betrays Orwell by outrageously blandifying and defanging its classic allegory of Stalinism and failed revolution with a dumb happy ending in the Disney style.
The pivotal moment when the pigs and the humans look the same happens not at the end, but around the one-hour stage into a 94-minute film, signalling that a new third act is in the offing. I was initially intrigued, wondering if there would be some ingenious finale in which a wall on the farm is knocked down. But no. The evil pig Napoleon (voiced by Seth Rogen with many a yuk-yuk-yuk) has eliminated his rival Snowball (Laverne Cox), then gobbles up corrupt human money from a newly invented agribusiness corporate character from the human world called Pilkington (Glenn Close) and takes to addressing his followers with the aid of a Big Brother-style giant screen.
