The ammunition boxes stacked on the stage opened up to reveal figurines of angels and an infant Jesus lying in his manger. Six actors sang plaintive carols, accompanied by readings of the brooding poetry of Kharkiv writer Serhiy Zhadan. The audience sat, transfixed by the almost unbearable intensity of the spectacle.
The nativity play, performed on a recent evening at Kharkiv’s puppet theatre, was a reminder that conflict has seeped into the fabric of almost everything in Ukrainian life over the past four years. “We can’t just put on comedies and escape from reality,” said Oksana Dmitrieva, the nativity play’s 48-year-old director. “The stage is a mirror, and we have to live through our emotions again, but this time from outside ourselves, together with others,” she said.
