Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Clare Brennan

Angela Carter’s The Company of Wolves review – a moving variation on Red Riding Hood

Danielle Bird, left, and Lorna Laidlaw in Angela Carter’s The Company of Wolves at the New Vic.
Danielle Bird, left, and Lorna Laidlaw in Angela Carter’s The Company of Wolves at the New Vic. Photograph: Andrew Billington

Form thrillingly matches content in this new stage presentation of Angela Carter’s reworkings of folk tales. The ambiguities and fluidities of Carter’s stories are rewritten in light, sound and movement by co-directors Theresa Heskins (artistic director of the theatre) and circus specialist Vicki Dela Amedume.

“Wolf is carnivore incarnate,” says an offstage speaker, dimly visible in one of the foley booths set into the back wall of the round auditorium. Grey-clad forms run, range and lope round a circle of light on an almost empty stage, its bareness broken by vertical steel poles. On to these the figures leap, climb, twist, stretch, crouch, fall precipitously. A percussive backing drums heartbeat echoes. Without mimicking wolf movements, the performers powerfully convey their strange otherness.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.