When did you start out in your current photo genres?
It was a natural progression. I was shooting architecture, cityscapes, and night photography from the beginning. By around 2010, I felt that I needed to bump up my creativity and challenge myself. I still take that approach now. I assign myself creative tasks and challenges to take different approaches and capture things in new ways. Niemeyer’s Brasilia was the first series I produced along those lines, then Gehry’s Children. They were both successful series and were published in major exhibitions in cultural spaces and museums in New York and Tokyo.
