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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Ancient India review – snakes, shrines and sexual desire power a passionate show

Detail of a silk watercolour painting of the Buddha, China, about AD701-750.
Captivating … detail of a silk watercolour painting of the Buddha, China, about AD701-750. Photograph: © The Trustees of the British Museum

About 2,000 years ago, Indian art went through a stunning transformation led, initially, by Buddhists. From being enigmatically abstract it became incredibly accomplished at portraying the human body – and soul.

You can see this happen in the bustling yet harmonious crowd of pilgrims and gift-givers you meet about a third of the way through this ethereal and sensual show. Two horses bearing courtiers or merchants are portrayed in perfect perspective, their rounded chests billowing, their bodies receding. Around them a crowd of travelling companions, on horseback and foot, are depicted with the same depth. Their bodies and faces are full of life, in a frenetic pageant, a bustling carnival, yet this human hubbub is composed with order and calm.

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