When Andrea Arnold imagined the opening shots of her film of Wuthering Heights, she saw heavy mists swirling around the outline of a misshapen creature as it scaled a hillside. The figure would slowly be revealed as a climbing man, his back laden with dead rabbits for skinning.
On the day of the shoot, however, it was bright and sunny – and there were only three rabbits. “People keep saying one day I will come to like it,” she said later of her 2011 screen version. “It was a difficult experience making it, for various reasons. I find it hard to look at it.”
