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The Conversation
The Conversation
Julian Novitz, Senior Lecturer, Writing, Department of Media and Communication, Swinburne University of Technology

Ambition, corruption and guerilla gardening: Eleanor Catton's Birnam Wood is a horror story for our time

Bela Lugosi as Count Dracula (1931). Wikimedia Commons.

Almost every review to date mentions the brutal argument that closes the first section of Eleanor Catton’s Birnam Wood. In a novel filled with incident – disasters, chases, one very bad acid trip, general maleficence – it is telling that this scene lingers.

The members of the titular Christchurch guerrilla gardening collective have gathered for a hui (meeting) to discuss a proposed partnership with surveillance technology mogul Robert Lemoine, one of the American billionaire survivalists buying up land in New Zealand. This is bitterly opposed by a former member, Tony, who sees it as accepting “blood money”. But Mira, their nominal leader, argues that the partnership may be their only hope for survival:

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