A key light is one of the first light fixtures many filmmakers will buy, being the one that usually provides the most light coverage on a subject. This means that there are lots of options out there from the cheapest eBay specials right through to high-end fixtures costing thousands. Recent years have seen an explosion in affordable but good quality lights, led by companies like Aputure and their sister company Amaran, aimed at creators.
I've used many light lights over the years and have found that the Amarans strike a good balance between performance, build, and budget, often with some handy extras and I'm sure this is why they have become so popular. The original 60d wasn't a bad light but the second generation 60d S, looks set to improve upon that much-loved light. I've spent quite some time using it in different situations, so does it hold up to that goal?
