What do couples counseling, a reality-singing competition, three cloned Yorkies, the content moderation of Paramount+ Germany and aviation safety all have in common? Virtually nothing, except the interest of television mastermind Nathan Fielder, who braids such disparate concepts together in the galaxy-brained second season of The Rehearsal.
In just four episodes, the genre-bending show of elaborate simulations – essentially, extremely realistic role-playing in the name of preparing people for uncomfortable situations – has provided some of the most compelling, bizarre and dementedly brilliant scenes on television this year: a shy commercial airline pilot on a first date, accompanied by 20 actors mirroring his every move. Fielder, sporting his series uniform laptop harness, peering into a “wrecked” cockpit through pretend flames. The sight of the Lizard Lounge – an exact replica of Brooklyn’s Alligator Lounge, where Fielder was tending bar just last month – inside an exact replica of a section of Houston’s George Bush airport. And in a scene that was shockingly transgressive even for a docu-comedy auteur who has built a career on stretching the outer boundaries of reality television, the sight of Fielder, shaven, rubber-capped and diapered, suckling from the papier-mache teat of a puppet 50s housewife as part of a canonically insane, deeply sincere attempt to relive the life – and thus absorb the wisdom – of Captain Sully Sullenberger (of Tom Hanks biopic, crashing into the Hudson fame).
