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Total Film
Total Film
Entertainment
Jordan Farley

Alien: Romulus is a back-to-basics experience for those who want "to see the xenomorph again, but in the setting of a pure-blood horror movie"

Xenomorph and Cailee Spaeny as Rain Carradine in 20th Century Studios' ALIEN: ROMULUS. Photo courtesy of 20th Century Studios. © 2024 20th Century Studios. All Rights Reserved.

Fede Alvarez has a question for Total Film: "What do you prefer, Alien or Aliens?" But before TF can respond with a well- rehearsed speech ("Objectively? They're both unimpeachable masterworks. Subjectively? Aliens all day, baby!"), Alvarez reveals this is a hypothetical with a point. "I think that's a perverse question," the straight-talking Uruguayan filmmaker says over Zoom in late April. "You should never be put through that choice."

Alien: Romulus is his answer to that 'perverse question' of apples and oranges. Describing the film as "an amalgamation of Alien and Aliens on many levels", everything from the environmental design to the pacing and the way the returning bestiary of Giger-accurate creatures is utilised in Romulus exists on a spectrum from the shadowy, slow-burn chills of Alien to the muscular, adrenalised thrills of Aliens. 

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