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The Guardian - UK
The Guardian - UK
Lifestyle
Laura Cumming

Alice Neel: Hot Off the Griddle; Action, Gesture, Paint – review

‘Superlative defiance’: Alice Neel, self-portrait, 1980.
‘Superlative defiance’: Self-portrait, 1980 by Alice Neel. © The Estate of Alice Neel Photograph: Terje Östling/© The Estate of Alice Neel Courtesy The Estate of Alice Neel

Alice Neel is in spectacles, striped chair and nothing else. She is 80, cheeks flushed from the effort of being true to herself – “It was so damned hard.” The paintbrush in her hand is directed straight at the naked breast. One eyebrow is raised, rhyming with an energetically upturned toe below. It is a vision of superlative defiance.

Neel’s self-portrait – by now as famous as she is – rightly opens this startling show. The floor has been painted gold, to match the frame, and her shining intelligence. Neel (1900-84) deserves her cult status in American art: a lifelong feminist, humanitarian, activist and braveheart; a woman who painted stubbornly figurative images all the way through abstract expressionism, minimalism and pop, who received scarcely any coverage or wall space.

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