Writer/director Alex Garland's "Men," which opened last week, may be the filmmaker's most complex work — and that is saying something given that his last two features were "Ex Machina" and "Annihilation." Garland likes to play in the sandbox where the organic meets the mechanic, but it is his precise command of language as well as imagery that is what makes his films so striking. He creates meanings that are deliberate but also ambiguous and open to interpretation.
