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The Guardian - UK
The Guardian - UK
Entertainment
Malcolm Jack

Alan Rankine was the maestro of the Associates’ post-punk pop – and an architect of indie

‘A febrile cocktail of sex, drugs, chaos, breathtaking good looks and rampant creativity’ … Alan Rankine of the Associates pictured right, in 1980.
‘A febrile cocktail of sex, drugs, chaos, breathtaking good looks and rampant creativity’ … Alan Rankine of the Associates pictured right, in 1980. Photograph: David Corio/Getty Images

It starts with a constellation of synthesiser drones and a piano riff that sounds as if it’s being played on crystal chandeliers, and ends with a sample of smashing cups. In between, the Associates’ Party Fears Two is five and a half sweeping minutes of art-pop perfection – a song commonly hailed for the vaulting, otherworldly vocals of mercurial singer Billy Mackenzie yet every bit as much a testament to the songwriting and musicianship of multi-instrumentalist Alan Rankine.

Formed by Mackenzie and Rankine between Edinburgh and Dundee in 1979, the Associates were genius architects of magical, muscular outsider anthems; a febrile cocktail of sex, drugs, chaos, breathtaking good looks and rampant creativity. For a fleeting period in 1982, they kissed the sky with three hit singles. As a producer, Rankine helped craft a shimmering swathe of 1980s music for artists including Cocteau Twins, Paul Haig and the Pale Fountains. In the 1990s, as a lecturer at Stow College in Glasgow, he played a critical role in the origins of another seminal Scottish band with a distinctly outsider outlook, Belle and Sebastian.

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