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The Guardian - UK
The Guardian - UK
Entertainment
As told to Rachel Aroesti

‘AI isn’t going to have any beneficial influence on humans’: Beth Orton on creativity, craft and the inspirational power of David Bowie

hazy image of Beth Orton
‘I’m useless at everything, but I can make music’ … Beth Orton. Photograph: Kasia Wozniak

I’m curious how you found out you could sing, how you developed your voice and what singing means to you? VladimirS
I found out I could sing while I was doing experimental theatre in 1989 – it was a cultural crossover between Ukraine and the UK. My biggest fear was singing in public and I wanted to do something I was afraid of, so I turned a Rimbaud poem into what I imagined was a blues song. And I loved it. Afterwards, I met this producer, William Orbit – I was 19 and he was 37 – through one of the women in the play whose husband was the manager of the Pogues. William decided: “She can sing. I will make a star of her.” He hooked me up with a wonderful singing teacher. But I probably will never see myself as a singer. Even last week I was like: “Oh yeah, I guess I am a musician, that’s ended up being what I do.” I still can’t quite get my head around that.

When making a new song up, do you have a job to do, or are you inspired? And in which order do the songs come, regarding melody, chords, words? gin007
I get inspired and that’s why I write. I could be walking in nature or having a conversation and it’ll spark something in my head and I’ll make notes. Then I’ll go to the piano or guitar and often if I’ve got something percolating, that will find its way into the chords. So, melody, words and chords often come together at once. Then I do the work, which is the filling it in. The easy part is the la la la, here’s the idea, here’s the shape, here’s the form, and then it’s like: this all came unconsciously, how do I write to that standard consciously? That can be really, really challenging. It can make your skin crawl because it’s hard to write a good song.

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