‘Tis the season, just, for your annual Agatha Christie. In recent years, the adaptations have been infused with the grief and instability of the postwar backdrop against which they all exist, and been given rich, dark, adult inflections by Sarah Phelps for the BBC.
The latest, however, is for Netflix by Chris Chibnall and we are back in the world of period costume, clipped vowels and dialogue infused with nothing but plot, designed to get the puzzle pieces recited into the right position for the next bit then the next bit then the solving – this time at the end of three very hour-long episodes.
