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African American Artists Find Creative Refuge In Nordic Countries

African American artists sought refuge in Nordic countries during peak racial discrimination in the U.S.

An exhibition titled 'Nordic Utopia?' at the National Nordic Museum in Seattle explores the stories of African American visual and performing artists who sought refuge and creative freedom in the Nordic countries during the 20th century. The exhibition, running until July 21, 2024, showcases the experiences of artists like William H. Johnson, Dexter Gordon, Howard Smith, and Doug Crutchfield who found a nurturing environment for their creativity in cities like Copenhagen, Helsinki, Stockholm, and Oslo.

The 1930s marked a period of peak racial discrimination in the United States, prompting many African American artists to seek opportunities abroad. The Nordic countries provided a welcoming space where these artists could thrive professionally and personally, away from the racial prejudices prevalent in America.

Following World War II, conditions for Black Americans in the U.S. did not significantly improve, leading artists like Howard Smith to relocate to Finland where they felt liberated from the constraints of racism. The emergence of jazz clubs in cities like Copenhagen and Stockholm further attracted African American musicians, fostering a vibrant cultural exchange between expats and local artists.

The exhibition features a diverse range of artworks, including paintings by William H. Johnson, personal collections from artists like Ronald Burns and Howard Smith, and artifacts that highlight the impact of African American artists in the Nordic region. After its display in Seattle, the exhibition will travel to the Chazen Museum of Art in Madison, WI, and Scandinavia House in New York City.

'Nordic Utopia?' offers a comprehensive look at how African American artists found creative freedom and community in the Nordic countries, transcending racial barriers to create impactful works that continue to resonate with audiences today.

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