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The Guardian - US
The Guardian - US
Entertainment
Jesse Hassenger

Academy wars: how did this season’s Oscars discourse get so toxic?

poster for oscars outside building next to palm tree
An Oscars billboard in Los Angeles. Photograph: Daniel Cole/Reuters

Around day five of debate over what Timothée Chalamet said and/or meant about opera and ballet, it started to feel like maybe the 2025-2026 Oscar season had actually lasted for the past 17 years.

Voting for the 98th annual Academy Awards concluded on 5 March, but that didn’t stop the internet from throwing a bunch of attempted buzzer-beaters; an interview where Chalamet casually referred to ballet and opera as potentially endangered (and perhaps not especially relevant) art forms was actually held some weeks ago in a conversation with Matthew McConaughey, a fellow actor. But it was that same vote-closing on Thursday when the clip started to circulate virally online and rebuttals poured in. This was swiftly followed by counter-charges that most likely the majority of people excoriating Chalamet, campaigning for best actor in Marty Supreme, had themselves not been to the ballet or opera especially recently.

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