If you haven’t heard of Brandy Melville, you probably don’t have a teenage girl in your life. The clothing brand – confusingly named for two characters, an American girl named Brandy and an Englishman named Melville who fall in love in Rome – is synonymous with a certain large swath of gen Z, very online and inundated since consciousness with images of very skinny celebrities like Bella Hadid. As one ex-store associate puts it in a new HBO documentary on the brand: Brandy Melville was for the kinda basic but very trend-aware girl.
Over the past decade and a half, the brand built a giant following via Instagram, Tumblr and TikTok posts of and by teenage girls channeling a certain recognizable aesthetic: tiny outfits accentuating pre-adult metabolisms, exposed midriffs so taut they seem to be begging for a tape measure, long hair flowing cheerily in motion, overwhelmingly white. Most of the brand’s pieces sold for less than $40, in “one size fits all”, that size being small. What Abercrombie & Fitch was to millennials at the mall, Brandy Melville was to teenage girls on their phone – organically popular, ubiquitous and reinforcing existing, retrograde ideas of what’s cool and popular. A divisive status symbol spotted on such rail-thin celebrities as Kaia Gerber and Kendall Jenner that many people love to hate, and also secretly want.
