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The Guardian - UK
The Guardian - UK
World
Jason Okundaye

A tribute to resilience: what we can learn from the splendour of Accra Cultural Week

Performance at the opening night of Serge Attukwei Clottey’s [Dis]Appearing Rituals: An Open Lab of Now for Tomorrow.
Fine art … the displays in Jamestown demonstrate how a cultural form can nourish a country’s identity. Photograph: Nii Odzenma/Gallery 1957

After more than 50 editions surfing across the waves of the global Black diaspora with Nesrine, this will be my final dispatch for the Long Wave, as I move on to a new role on the Opinion desk at the Guardian. I am heartbroken to be leaving, but I am so thankful to all of our readers for being so encouraging and engaged throughout the past year.

Any who, time to cut the sad music (this is my farewell tune of choice), as I have one more edition for you. In late autumn, I took my first trip to Ghana for Accra Cultural Week. While there, I visited the historic area of Jamestown, which was reflected in an exhibition by artist Serge Attukwei Clottey.

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