Bromley has never struck me as an exciting place – perhaps because I spent part of my teenage years loitering in its aggressively grey 1980s shopping centre, The Glades. I always found it bizarre that it was technically London; it felt too stiflingly suburban to belong to any city. So it’s not a setting I ever expected for a queer BDSM (bondage and discipline, dominance and submission, and sadism and masochism) story. And yet, it turns out to be the perfect backdrop for Pillion’s main character.
Colin (Harry Melling) is a timid gay man living with his parents and working a dead-end job as a traffic warden. His drab world is changed when he meets Ray (Alexander Skarsgård), a magnetic, leather-clad member of a local biker gang. It’s a seemingly implausible pairing. But Ray clearly sees something in mild-mannered Colin.
They agree to meet outside Bromley Primark on Christmas Day. What begins as a rough, transactional alleyway hook-up escalates quickly into a strict BDSM relationship. A willing “slave”, Colin finds himself living in Ray’s house and carrying out to his every command – whether sexual or domestic.
