America’s inaugural national memorial marking the first world war was unveiled this month in Washington DC, on the birthday of war commander General John J. Pershing – 106 years after the end of the war. We don’t often get to see a new memorial to a century-old war, especially one that has been deliberately designed in a century-old style.
Its sculptor, Sabin Howard – who was recently referred to as a “self-appointed bulwark against the scourge of modern art” – rejects the vogue for abstract commemorative art seen in memorials such as Maya Lin’s Vietnam Veterans Memorial (1982). The centrepiece of the new memorial is Howard’s 58-foot panoramic sculpture, A Soldier’s Journey. Five connected scenes tell the story of an American everyman who enlists as a volunteer, fights in Europe, then returns home.
The 38 realist figures were painstakingly sculpted from costumed models before being cast in 25 tonnes of weather-resistant bronze. Howard wanted to “tell a story” about the first world war and how it affected Americans, to make the conflict more visible to viewers today and in the future.
