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The Guardian - UK
The Guardian - UK
Entertainment
Alexis Petridis

‘A new style of speak’: the lyrical genius of De La Soul’s Trugoy the Dove

Public speaker … Dave ‘Trugoy’ Jolicoeur.
Public speaker … Dave ‘Trugoy’ Jolicoeur. Photograph: Sal Idriss/Redferns

Thirty five years after its release, De La Soul’s debut album is firmly ensconced in the pantheon of unimpeachable classics, and Me Myself And I is a fixture on mainstream classic radio. So it’s easy to forget what a shock 3 Feet High and Rising represented on release. It was, gasped one US critic’s review, “unlike any rap you or anyone else has ever heard”. If that wasn’t entirely true – 3 Feet High and Rising certainly had antecedents, both in the easygoing humour of Biz Markie’s style and in the beat-digging, fast-cutting, eclectic sound of old-school DJs, as wont to play Dizzy Gillespie or the Monkees’ Mary Mary as James Brown and Funkadelic – it wasn’t far off the mark. The album certainly didn’t sound like anything else that was around at the time – even those by their friends in the Native Tongues rap collective.

De La Soul in the Daisy Age … (left to right) Posdnuos, Maseo and Trugoy the Dove.
De La Soul in the daisy age … (left to right) Posdnuos, Maseo and Trugoy the Dove. Photograph: Michael Ochs Archives/Getty Images
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