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The Guardian - UK
The Guardian - UK
Entertainment
Phil Hoad

A Knight’s War review – smiting, flaying and lopping of limbs as sword’n’sorcery caper aims high

A Knight's War.
‘Groundhog Day by way of Gary Gygax’ … A Knight's War. Photograph: Courtesy of Dazzler Media

Maybe it’s because of a sense that we are expendable parts in the great capitalist machine, that the endlessly repeating death trope has been increasingly respawning in movies – from Edge of Tomorrow to Mickey 17 and now this Canadian sword’n’sorcery caper. With its sisyphean vibe and implacable mood, it also owes a fair bit to the Dark Souls video games; though it’s not a masterpiece on that level, it nevertheless has a grim self-conviction that grips despite its low-budget limitations.

Paladin Bhodie (Jeremy Ninaber) – who apparently asked the barber for the Gondor bob and beard trim – agrees to enter a cursed realm to rescue red-haired maiden Avalon (Kristen Kaster), who is central to a humanity-saving prophecy. Needing to collect three magic stones to open up an exit portal, he makes a pact with the Keeper demon (Shane Nicely) for a magic talisman that can resurrect him enough times to beat the stones’ guardians. It turns out Avalon – no slouch with the steel herself – has made the same arrangement, only to die multiple deaths at the hands of the first adversaries: a pair of bloodthirsty witches.

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