When Valeria Schulczová launched the new programme of Bratislava’s Hviezdoslav theatre she did not anticipate any great controversy. As director, she had chosen a series of provocative, but not outrageous, productions for the coming season. But Schulczová had reckoned without the febrile politics and deep polarisation of her country before parliamentary elections on 30 September.
The main image advertising the new season suggested a stained glass window, a reference to the Stalinist-era decorations of the theatre, with young people marching below Ukrainian, anti-fascist and rainbow flags.
