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Jamie Bernthal-Hooker, Visiting Senior Fellow in English and Creative Writing, University of Suffolk

A Haunting in Venice – the Poirot film franchise finds its footing in this spooky murder mystery

Hercule Poirot, the world’s greatest and most particular detective, returns in Kenneth Branagh’s third outing as director and star. A Haunting in Venice is set in 1947, ten years after Poirot solved the case in Death on the Nile (2022).

It is, apparently, inspired by Agatha Christie’s 1969 novel Hallowe’en Party. Here, however, the English countryside is replaced with the labyrinthine waterways of Venice and the story, while maintaining some similarities, is wildly different.

Poirot (Branagh) has retired for a quiet life, where the only guests he will see are delivering pastries. Of course, he won’t stay retired for long. His old friend the mystery writer Ariadne Oliver (Tina Fey) asks Poirot to debunk a psychic medium, Joyce Reynolds (Michelle Yeoh), whose powers seem too good to be true.

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