By the early 1980s, Prince had cemented his place as a pop heavyweight with the phenomenal success of his 1999 album, as well as becoming a movie star thanks to Purple Rain. Even when his second film, the old Hollywood throwback Under the Cherry Moon, bombed worldwide in 1986, he notched another massive hit off its soundtrack with Kiss. It didn’t matter if audiences didn’t understand; Prince kept moving forward.
That restless spirit propelled Prince’s final masterpiece, 1987’s Sign o’ the Times, as he dabbled with different directions. Anything seemed on the table: maybe he would drop another album with his backing band, The Revolution, or he would explore his feminine alter-ego Camille with a self-titled album. He even, at one point, wanted to put out a triple album, a reasonable response to the vast collection of music that Prince was creating. “Sometimes when people are in a place of transition, they’re distracted,” said John McKie, whose new book Prince: A Sign o’ the Times follows the pop legend’s career through the lens of this classic. “For Prince, he focused on his music.”
