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The Guardian - US
The Guardian - US
Entertainment
Jim Farber

‘A force entirely of itself’: Robert Fripp on the difficult legacy of King Crimson

Robert Fripp in 1973.
Robert Fripp in 1973. ‘I wanted the people playing the music not to be seen because, ideally, the music has nothing to do with them.’ Photograph: Gijsbert Hanekroot/Redferns

When Robert Fripp was considering who should direct a proposed documentary about King Crimson – the band he has devoted most of his life to – he knew right away what kind of person it shouldn’t be. “We had been approached by some very good, professional music documentary makers who would make a nice, conventional documentary from which I would learn nothing,” Fripp said by Zoom from his home in the West Midlands.

Rather than go in that direction, he chose director Toby Amies, “who had no familiarity with King Crimson whatsoever. For me, this was ideal,” he said. “I thought, ‘here is an independent film-maker with his own attitude who will come in and show me aspects of King Crimson that I’m perhaps unaware of.’”

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