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The Conversation
The Conversation
Julian Murphet, Jury Professor of English and Language and Literature, University of Adelaide

A cosmic ocean of shame: Jesmyn Ward's Let Us Descend confronts a history beyond the ken of storytelling

Dante's Inferno – Joseph Anton Koch, detail from Cassa Massimo fresco (c.1825). Sailko, via Wikimedia Commons, CC BY-SA

It is worth asking whether there are topics beyond the capacity of the novel. Are there subjects so immense in historical scope and in depths of human suffering that a form engineered to tackle but a bare handful of lives in sufficient detail cannot possibly accommodate them?

Warfare, with its punctual campaigns and political manoeuvrings, may indeed prove the limit beyond which the novel capitulates and the older form of the epic resurfaces.

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