In 1954, an issue of Manhua, a state-sponsored satirical magazine in China, declared: “Some architects blindly worship the formalist styles of western bourgeois design. As a result, grotesque and reactionary buildings have appeared.”
Beneath the headline Ugly Architecture, humorous cartoons of weird buildings fill the page. There is a modernist cylinder with a neoclassical portico bolted on to the front. Another blobby building is framed by an arc of ice-cream cone-shaped columns. An experimental bus stop features a bench beneath an impractical cuboid canopy, “unable to protect you from wind, rain or sun”, as a passerby observes. “Why don’t these buildings adopt the Chinese national style?” asks another bewildered figure, as he cowers beneath a looming glass tower that bears all the hallmarks of the corrupt, capitalist west.
