Frankenstein’s female creature, also known as “the Bride”, was the first female monster to appear on screen, in the 1935 Frankenstein sequel: The Bride of Frankenstein. An unruly and rebellious figure, she has inspired dozens of adaptations since.
Most recently, the Bride, as a dramatic character, has been part of a series of creative reimaginings through an explicitly feminist lens. For instance, the dark coming of age comedy, Lisa Frankenstein (2024). It imagined the Bride (Kathryn Newton) in the role of the scientist, who accidentally brings to life a young Victorian man (Cole Sprouse).
Released just a year earlier, Poor Things (2023) brought an even more complex exploration of power, agency and consent, set in a retro-futuristic Victorian era. In it, the female creature Bella (Emma Stone) negotiates what it means to be both a scientific object and creator (being created out of the pregnant body of a woman and the brain of the mother’s unborn baby). Bella does not abide by the rules and conventions of polite society, using her body against the purpose of her creator and causing several mental breakdowns for the male characters in the process.
